Islamic Furniture

This Persian Shiraz wool rug showcases an exquisite traditional floral medallion design with striking beige and pink accents against a tan background. This rug measures 4'8" X 6'7"...

This antique wool rug from the 1920s showcases expert hand-knotted quality and boasts a medallion floral design. The primary color scheme of this rug is composed of brown tones with ...

Beautiful Kurdish hand-knotted wool runner with a geometric design on a beige field. Accents of blue, orange, and brown throughout the piece. This rug measures 4' x 16'4".       

Beautiful antique Bidjar hand-knotted wool runner with a brown color field. This Bidjar rug has a designed frame with beige, rust, and blue accents in a gorgeous all-over design. Th...

A round pished Egyptian tray in this style serves both as a functional item for serving drinks with grace and style, and as an exquisite decorative piece to adorn homes, showcasing the artistry and ctural heritage of Egypt and its surrounding regions. It is a testimony to the enduring beauty and craftsmanship that has been cherished for centuries, a legacy that continues to inspire and captivate admirers around the world. A pished North African Egyptian pished brass tray is a stunning piece of traditional craftsmanship that showcases the rich artistic heritage of the country. It is meticously handcrafted by skilled artisans who specialize in metalwork and imbue each tray with intricate designs and meticous attention to detail, inlaid with copper and silver metal with some Arabic writing. The tray typically features a circar or rectangar shape, with a slightly raised rim to prevent items from sliding off. The brass material is carefly worked to achieve a smooth and shiny surface, which is then pished to a lustrous finish, enhancing the natural beauty of the metal. One of the distinguishing features of a pished Middle Eastern Egyptian brass tray is its exquisite engraving and inlay work. The artisans skillfly carve intricate patterns, geometric motifs, or elaborate floral designs onto the surface of the tray. These designs are often inspired by traditional Egyptian architecture, Islamic art, or nature, and reflect the ctural and artistic influences of the region. A round pished Islamic metalwork, is a breathtaking example of the exquisite craftsmanship and artistic heritage of the region. Handcrafted with skillf precision, this tray showcases a harmonious blend of ctural influences, resting in a piece that is both visually captivating and historically significant.About Islamic Metalwork. Arabesques, a hallmark of Islamic art, are gracefly interwoven patterns that symbize the infinite and the interconnectedness of all creation. Calligraphy, featuring verses from the Quran or other religious or poetic texts, adds an element of spirituality and ctural significance to the design. Islamic brass metalwork, including brass trays, is an intricate and beautif form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particar, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various ctures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays invves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques invved: 1) Design: A skilled artist or calligrapher creates the design for the brass tray. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The tray is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the shallow depression of the tray. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the tray is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tos to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree invves shaping thin wires of brass into delicate patterns and sdering them onto the tray's surface. Inlay work, on the other hand, invves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like pishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. Throughout history, Islamic brass trays...

Beautiful antique Lilihan hand-knotted wool with a peach field. This Persian has blue borders with an all-over floral pattern design in brown and beige accents. This rug measures 2...

Beautiful antique Persian hand-knotted wool runner with a beige color field. This piece has rust and blue accents in a gorgeous multi-medallion design. This rug measures 3'3" x 16'5...

Beautiful antique Bidjar hand-knotted wool runner with a blue color field. This Bidjar rug has a designed frame with beige, orange, and brown accents in a gorgeous all-over design. ...

Top quality, good size and excellent condition antique box for the connoisseurs. How do you price a one of a kind antique of a quality and beauty that cannot be found anywhere in th...

Antique Persian Serab hand-knotted wool runner with beige-cream color field. This piece has rust and blue accents in an all-over tribal design. This rug measures 3' x 18'4".

Persian Qajar glazed tile, 19th c., and depicting a Bazdar, or falconer, n horseback, a spotted hunting dog running at his feet on a turquoise ground. Di...

Description : Superbe bougeoir a main en bronze. Fabrication francaise de style Qajar pour le marché perse. Dimensions : Hauteur : 7,5 cms Largeur : 12 cms Profondeur : 15 cms ...

An ornate antique floor lamp. Intricate designs executed in a variety of mixed metals, copper, brass, adorn this slender and beautiful floor lamp. The base showcases the variety of m...

Vintage 1950's Moroccan polished brass tray with intricate design, a Star in the center and moon pattern around the rim.  This exquisite vintage Moroccan circular brass tray, platter showcases a beautiful hand etched Moorish geometric pattern featuring the symbolic right-handed interlaced pentagram star which is used in the flag of Morocco. The round polished Moroccan brass tray has hammered edges. it could function as a wall hanging, ottoman tray, or a display on a bar or coffee table, use it as a serving platter, catch all, vanity dish...

19th century Mughal Indo Persian fine antique brass round tray hand chased with Islamic calligraphy in Mameluke style in the center. 19th cent...

Antique Persian Islamic Brass Jewelry Footed Box in Mamluk Revival Damascene style. A Middle Eastern Moorish Damascene Brass Box circa 1910-1920s. A fine antique handcrafted etched hammered Syrian Damascene brass jewelry box. Octagonal shape lidded antique Moorish Persian footed trinket brass box, handcrafted and chased with calligraphy Islamic Arabic design writing. The Box decorated with etched Arabic inscription and lotus flowers with a very fine Arabesque design. Middle Eastern jewelry brass box with eight small feet, hinged lid, lined in a Moroccan red velvet. Great Moorish Mamluke Revival brass decorative Islamic metal art object. Dimensions 6.75" W × 5" D × 5.25" H. In the Mamluk Style (Mamluk Revival). Origin: Middle East. Date: Circa 1900-1920s. Hand-hammered and engraved, this beautifully incised brass box Islamic...

Antique handmade Middle Eastern triangular ceramic tea bottle with hand painted colorful decor and clear glaze. Green and blue colored organic floral de...

Lovely image by Edmund Dulac Lithograph. Published circa 1930 The measurement given is the paper size not the actual image.

Najafabad is a small town that produces rugs and carpets located outside the major weaving center of Isfahan in central Iran. It is also recognized as the trade center for an agricu...

Corner cupboard in wood and bone. Orientalist work, circa 1900-1930.

19th Century Antique Middle Eastern Asian traditional Turkish ottoman copper Dallah coffee pot. Antique Coffee pot hand-hammered and chased copper with r...

Impressive Moroccan Hand Hammered & Pierced Copper/Alloy Floor Lamp Moroccan, 20th Century. Hammered and pierced copper/alloy floor lamp 4 interior lights, raised on round lacquere...

Vintage Middle Eastern Khatam Art Painting Miniature on hexagonal shape trinket box. Hand painted, lacquered wooden Moorish micro mosaic marquetry inlaid tobacco or trinket Box. Handcrafted vintage marquetry Indo Persian wood inlay micro mosaic with miniature hand painted scene. Finely handcrafted khatam Persian hand painted micro mosaic inlaid wooden box...

Vintage 1970s men’s gold leather Indian Punjabi jutti wedding shoes. Vintage hand stitched and hand tooled leather shoes with hand embroidered wi...

Handcrafted Moroccan Moorish footed glass perfume bottle or rose water sprinkler with raised embossed silvered metal floral design over amber yellow pai...

Antique Persian Iznik Qajar Style Ceramic Pottery Tile Hexagonal Blue Couple C5. Item features the original crackle glazed finish, heavy ceramic pottery construction, very impressive...

Vintage Islamic Moroccan tile with the Hand of Fatima, pair of Fishes and a Gazelle, the Hand of Fatima is here to protect against negative energy, fishes and the gazelle are to bring good energy for business and wealth homes. The Hand of Fatima, also known as the Hamsa, can indeed be adorned with various decorative elements, including fishes and gazelle designs. These additional motifs can carry their own symbic meanings, which can vary based on ctural and personal interpretations. 1) Fishes: In some interpretations, fishes can symbize fertility, abundance, and sustenance. In Christian symbism, fishes are associated with Jesus and his disciples. In the context of the Hand of Fatima, fishes cod signify blessings and prosperity. 2) Gazelle: Gazelles are often associated with grace, beauty, and swiftness. They can also represent a connection to nature and the natural world. The addition of a gazelle to the Hand of Fatima design might emphasize qualities such as protection, elegance, and harmony. When combined with the Hand of Fatima, these designs cod amplify the protective and positive energies associated with the symb itself. However, it's important to note that interpretations can vary widely depending on ctural backgrounds, religious beliefs, and personal associations. The final meaning wod timately depend on the intent of the wearer or the person displaying the symbs. A Hamsa is a hand-shaped amet which is found across North Africa, and is often seen in Arabic and Jewish jewellery...

Ceramic pot with lid, Morocco - Safi, 30’s/40’s Signed on the bottom

A one-of-a-kind semi antique Anatolian prayer rug featuring a carefully constructed arch design, framing at its base the depiction of a mosque that stands under a large pendant lamp ...

Cold painted bronze lamp with Orientalist subject by Bergman Austrian, circa 1910 Height 46cm, width 21cm, depth 12.5cm The Bergman Foundry, ...

A very rare and impressive pair of 19th century Bohemian cut crystal Uranium color decanters/bottles with gold and platinum hand-painted decoration made for the Turkish/Ottoman market. Each of these decanters is made of the highest quality Bohemian hand-diamond-cut crystal with a rare uranium green/yellow hue. The decanters are fitted with their original lids and are gorgeously hand-painted with decorations of the Turkish flag...

A Large Bulbous Embossed Copper Table Lamp This is a very large lamp, it has an Islamic look with an embossed pattern around The lamp is fully wired and in good condition, a state...

Austrian Orientalist cold-painted bronze lamp of a shoe cobbler Austrian, Early 20th Century Height 23cm, width 21cm, depth 16cm The story presented by the makers of this sculptural lamp is set at a shoe cobbler’s workshop. Made in the traditional Viennese manner of cold-painted bronze, the piece is an outstanding example of high quality Orientalist design. Three shoe cobblers are depicted working together in a traditional Orientalist building, one covered by textiles to protect them from the elements. The wall is decorated with a large pair of scissors, a tool often used by shoe cobblers. In the foreground is a male figure reaching towards a wooden bench on which shoes needing repair are displayed. Behind him, sitting on a bamboo-supported table sit two other male figures. The first one is caught mid-speaking, in a pose suggesting he is excited. On his legs is a piece of textile. The man next to him is seen holding threads in both hands, repairing a vibrant red shoe. All figures are dressed in loosely fit clothing...

Antique hand-made silk suzani textile, Uzbekistan Uzbekistan, Late 19th Century Height 216cm, width 166cm This silk suzani was hand-made and hand embroidered in the late 19th cent...

1940s Collectible Islamic Brass Round Tray , handcrafted, hammered and chased with intricate designs and Arabic writing. Decorative circular antique polished brass tray with etched s...

Vintage KLH Model Twenty one FM Receiving System Dimensions. 12 W ; 7 D ; 6 H

Rafael Contreras, A Large Spanish Alhambra Architectural Model Plaque. Late 19th century. Polychrome and gilt gesso. Original printed paper label vers...

An absolutely gorgeous example of the traditional Antique Persian hand-blocked tapestry textile. Persian Kalamkar (Qalamkar or Ghalamkar) woodblock print textile is from the great ci...

An outstanding pair of Arabian Damascus chairs made from local specimen timber and bone. Each chair demonstrates intricate parquetry in the traditional...

Antique Austrian Orientalist cold-painted bronze lamp Austrian, Early 20th Century Height 25cm, width 16cm, depth 12cm Depicting a charming school scene, this Orientalist lamp wrought in the traditional Viennese manner from cold-painted bronze is a superb example of early 20th century design. The main body of this sculptural lamp is cast in the shape of a traditional Orientalist building covered with various textiles such as rugs, providing protection from the sun and rain. On a raised plinth sits a teacher dressed in bright marigold clothing tied together with a red belt. His head is beautifully adorned with a polychrome head...

Large Austrian Islamic-style cold-painted bronze lamp Austrian, Early 20th Century Height 39cm, width 19cm, depth 17.5cm Drawing upon the mystical allure of early 20th-century Orientalist designs, this Viennese bronze lamp...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

Oriental Vintage Mid-Century Modern walnut spider leg round coffee table with a Moroccan bronze scalloped design tray. The base folds up for easy stor...

Large antique 1940s Moroccan Rectangular Polished Brass Serving Tray with Moorish geometric design. Moroccan Moorish rectangular shape heavy solid brass tray with fine delicate geometrical Islamic designs. Could be used as a serving tray, or decorative Moroccan gold brass platter. Fine handcrafted large Moroccan brass platter...

Vintage Middle Eastern Arabesque style Inlaid octagonal table. This handsome middle eastern or Islamic Arabesque style octagonal table is inlaid wit...

A Rare 18th Century Middle Eastern Silk and Silver Thread Green Velvet Tapestry. Presenting a rare and exceptional find, this 18th-century Middle Eastern silk and silver thread gree...

A very unique and rare gramophone made by a Seville jewller for the Gramophone Exhibition in Seville in 1925 in wich was awarded with a silver medal.It was...

Late 19th century Mughal Indian Raj Style Silvered Traditional Anklet Bracelet from India repurposed as a vide poche, catchall, bowl ashtray or just as a beautiful collectible decorative object from India. Antique silver coin and brass heavy metal Dhokra ethnic tribal ankle bracelet that has been repurposed with a brass inner plate that was later added to use the bracelet as a small ashtray or decorative vanity jewelry bowl. The closure was a push pin mechanism that was closed. Dhokra art old ethnic tribal brass traditional ankle bracelet from India, handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. Measures: Height : 1.5 inches. Length : 7.5 inches. Width : 7.5 inches. Diameter: 7.5 inches Brass silver plated. Rare collectible decorative bowl, catchall, ashtray, Mughal Raj style, North India, Rajasthan. Circa 1900's Weight= 2 Lb 6.9 oz Anklets were important components in a suite of jewels worn by women in India. These very heavy examples are fabricated in two pieces, and tightly secured with a near-invisible pin. Some legends suggest that heavy anklets like these could weigh up to 20 pounds and were used to prevent brides from running away from their new families. How it is made: "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

D. Thyaga Raj 1922 - 1981 Watercolour on paper. Signed “G D Thyaga Raj” l.r. 14 1/4" x 21" in. (36.2 x 53.3 cm.) Frame: 19 1/4" x 25 3/4" in. (49 x 65.5 cm.) Bustling city street...

1950's Agra Indian Mother of Pearl and Black Marble Box with The Taj Mahal Inlays.Onyx Black Marble Box with Pietra Dura Intricate Mother of Pearl Inlay of the Taj Mahal.Fine Quality Mother of Pearl Inlaid Taj Mahal Box.Black marble trinket box with an inlaid image of the Taj Mahal in mother of pearl. This unusual piece has the details drawn on the mother of pearl in black ink, giving it the appearance of a micro mosaic. The surface catches the light and shows some iridescence at different angles.The Anglo Indian style box is lined with black velvet.A Very fine intricate work of Islamic Art.From Agra, India. Circa 1950's.Great gift to express your Love.DIMENSIONS: Height: 1.75 in.Width: 3.75 in.Depth: 2.75 in.About the Taj Mahal: The Taj Mahal is a world-renowned monument located in Agra, India. It is considered one of the most iconic examples of Mughal architecture and is recognized as a UNESCO World Heritage Site. Here's some information about the Taj Mahal: 1) History: The Taj Mahal was built by Emperor Shah Jahan in the 17th century as a mauseum for his beloved wife, Mumtaz Mahal. Construction of the Taj Mahal began in 1632 and was completed in 1653. 2) Architecture: The Taj Mahal combines elements of Islamic, Persian, Ottoman Turkish, and Indian architectural styles. It is primarily made of white marble, with intricate inlay work using semi-precious stones. The central structure is a large dome surrounded by four minarets at each corner. 3) Symbism: The Taj Mahal is often regarded as a symb of love. It was built as a testament to Emperor Shah Jahan's eternal love for his wife, Mumtaz Mahal. The gardens and reflecting po in front of the Taj Mahal add to its romantic ambiance. 4) Location: The Taj Mahal is situated on the right bank of the Yamuna River in Agra, Uttar Pradesh, India. Agra is located approximately 200 kilometers (125 miles) southeast of India's capital, New Delhi. 5) Visitors: The Taj Mahal attracts millions of visitors from around the world each year. It is open to the public, except on Fridays when it is reserved for Islamic prayers...

19th C. Chiseled Brass, Oversized Mughal Indo-Persian Surahi with detachable lid matching body. Indian brass ewer, drinking water flask holder or ros...

Handcrafted Moorish Design Decorative Hexagonal Glazed Coffee Table Mounted With Semi Precious Stones from Asia

Modular Syrian game table veneered in precious woods, adorned with marquetry and inlays of mother-of-pearl and ivory on each side. Open, this Syrian game table features a trictrac or...

A stunning antique mahal wool rug, exquisitely hand knotted and endowed with a mesmerizing blue-gray color field. This Persian masterpiece showcases a terracotta-designed frame and b...

1940s Moroccan Brass Tray Polished Collectible Islamic Metal Work Platter. The Islamic polished brass metal work antique brass tray is a remarkable piece of artistry that embodies th...

1940s Moroccan Brass Tray Polished Collectible Islamic Metalwork 13.5 in. D. Beautiful Moroccan decorative tray. Unique, one of a kind, very collectible. Dimensions: 13.5 inches diam...

A Monumental Equestrian Patinated Bronze Group Sculpture of "Tartar Warrior Checking His Horse" after the original model by Antoine Louis Barye (French, 1795-1875). The large and hea...

Antique openwork metal lantern with minaret top, Islamic crescent moon designs, and hexagonal shaped body with door on hinge revealing open compartment to house candles.